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As a theatre historian, I recover and celebrate the artistry, activism, and critical thought of black women intellectuals of the twentieth and twenty-first centuries. My work speaks directly to the pioneering efforts of black feminist scholars such as Barbara Christian, Patricia Hill Collins, bell hooks, and Alice Walker; all of whom have issued calls to create in-depth studies of black women’s history, culture, and literary traditions. In remembering the galvanizing strategies and struggles of the previous generation, black women intellectuals of today can gain further insight and strength needed to continue to lead the movement for black lives.

 

The relevancy of my research has received national recognition. In 2016, I was awarded the Robert A. Schanke Theatre Research Award (Mid-America Theatre Conference) for my comparative study of the 1968 black student protest at Northwestern University and the 2015 student unrest at the University of Missouri. I received the 2020 Oscar G. Brockett Essay Prize (American Society for Theatre Research) for my article, “The Wiz Redux; or Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter.” My monograph, Sistuhs in the Struggle: An Oral History of Black Arts Movement Theatre and Performance (2020) was recognized as a finalist for the Association for Theatre in Higher Education's 2021 Outstanding Book Award.

About Me

Education
Awards

Northwestern University | Interdisciplinary PhD Theatre & Drama | 2012​

Doctor of Philosophy; Gender Studies Certificate

Master of Arts

Brigham Young University | Theatre History, Theory, Criticism | 2005

Western Oregon University| Theatre Arts | 2002

Finalist, Oustanding Book Award| Association for Theatre in Higher Education | 2021

Oscar G. Brockett Essay Prize | American Society for Theatre Research | 2020

Robert A. Schanke Theatre Research Award | Mid-America Theatre Conference| 2016

Dissertation Fellowship | Consortium for Faculty Diversity at Liberal Arts | 2010

Bachelor of Arts

Academic Appointments

University of Notre Dame | Associate Professor | 2020-Present

Department of Film, Television, Theatre

University of Notre Dame| Assistant Professor | 2017-2020

Department of Film, Television,Theatre

Miami University | Assistant Professor | 2016-2017

Department of Theatre

University of Oregon | Assistant Professor | 2012-2016

Department of Theatre Arts

Books

Sistuhs in the Struggle: An Oral History of Black Arts Movement Theatre and Performance| Northwestern University Press | 2020

Service

Associate Editor | Theatre Survey | American Society for Theatre Research |2021-Present

 

Editorial Board | Theatre Topics | Association for Theatre in Higher Education | 2021-Present

 

Executive Committee | Mid-America Theatre Conference | Vice President/Conference Planner, 2020-Present; Associate Conference Planner, 2018-2020

 

Editorial Committee | Journal of American Theatre and Drama | American Theatre and Drama Society | 2019-2020

 

Manuscript Reviewer | Iowa University Press| 2020

 

Reviewer | Theatre PracticeTheatre JournalTheatre TopicsTheatre History Studies | 2017-2020

In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement | Northwestern University Press | 2018

Articles

“Transculturation, Reclamation, and Adaptation: Approaches to Teaching ‘Father Comes Home from the Wars’” | Modern Drama | 66.2 (2023): 179-202.

 

“Violence, Ritual, and Vogue: Black Queer Feminist Praxis in Motion"| MELUS: Multi-Ethnic Literature of the United States | 46.4 (2022): 37-53.

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“Hands Up, Don’t Shoot: ‘Suicide,’ Black Gun Ownership, and Restoring Black Masculinity on Black Arts Movement Stages,” | Theatre Journal |   73.4 (2021): 467-488

 

“The Wiz Redux; or Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter" | Theatre Survey | 60.3 (2019): 325-354

Oscar G. Brockett Essay Prize, American Society for Theatre Research

“From the Black Arts Movement to the Contemporary Chitlin’ Circuit: An Interview with Woodie King Jr." | Journal of Dramatic Theory and Criticism | 33.2 (2019): 61-80

“Performing Black Womanhood: A Dramaturg’s Guide to Voyeurs de Venus" | Continuum: The Journal of Black Drama, Theatre, and Performance  | 5.1 (2019): 11-18

“Breaking Down the ‘Walls of Whiteness’: Strategies for Teaching About Race and Social Justice in a ‘Very Black Year’” | Theatre Topics | 27.2 (2017): 151-162

"Black Folk’s Theatre to Black Lives Matter: The Black Revolution on Campus"| Theatre History Studies |36 (2017): 301-309

Robert A. Schanke Theatre Research Award

“‘Set Your Blackness Free’: Barbara Ann Teer’s Art and Activism During the Black Arts Movement” | Frontiers: A Journal of Women Studies | 36 (2015): 136-159

“The Black Arts Movement (1965-1976): An Interview with J.e. Franklin"| Callaloo: A Journal of African Diaspora Arts and Letters | 37.5 (2014): 1139-1157​

“Militancy and Ministry: Revolutionary Conversion in Ben Caldwell’s Prayer Meeting and James Baldwin’s Blues for Mister Charlie” | New England Theatre Journal | 22 (2011): 107-123

Book Chapters

“The Remaining One-Third: Vinnette Carroll and the Urban Arts Corps” | The Great North American Stage Directors, eds. Henry Bial and Chase Bringardner | London: Methuen Drama (2021): 75-97

“Performing Blackness, Ecodramaturgy, and Social Justice: Toward a Radical Pedagogy" | Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities, ed. Jeanmarie Higgins | New York: Routledge (2020): 81-93

From ‘Poemplays’ to Ritualistic Revivals: The Experimental Works of

Women Dramatists of the Black Arts Movement" | The Routledge Companion to African American Theatre and Performance, eds. Kathy A. Perkins, Sandra L. Richards, Renee Alexander Craft, and Thomas DeFranz | New York: Routledge (2019): 250-256

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